Opis: Ludzkość kocha wszystko, co zapewnia jej komfort. Nienawidzi wszystkiego, co chce ją wyrwać ze zwyczajowej i bezpiecznej pozycji i co ją niepokoi. I dlatego kocha ona budynek i nienawidzi sztuki - Adolf Loos.
Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos (1870-1933) was a star in his own time, known throughout Vienna as an outspoken, audacious dandy and moralist who defied the establishment. His work not only represented the beginning of modernism, with its stark, unornamented style, but also revolutionized architecture by introducing the concept of spatial plan architecture, which allowed for economizing space by designating rooms' sizes and heights based on their purposes. Loos also published numerous essays during his lifetime, the most notable of which is the oft-misunderstood Ornament and Crime. |
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O autorze:
August Sarnitz is a practicing architect and professor of history and theory of architecture at the Akademie der Künste in Vienna, Austria. Among his many publications include books on R.M. Schindler, Lois Welzenbacher, Ernst Lichtblau, E. A. Plischke and Adolf Loos. |
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